And since it runs about $30 more than the 701HDV, there’s really no reason not step up to the 501HDV. In terms of “getting into video” with your HDDSLR, the 501HDV sets the bar for entry-level video kits. If you’ve tried shooting video with anything less than a fluid head, you’ll fall in love with the 501HDV instantly – and you’ll never try to shoot video without it again. The drag controls for pans and tilts are easy to adjust on the fly and lock down tight when needed. Smaller setups, say a DSLR with a 50mm lens, will seem like nothing is on the head. The pan and tilt movement on the 501HDV is very smooth and I have comfortably used it with a 300mm f/2.8 lens. The switchable counterbalance, which lets you move the balance point forward or back with the flip of switch, is a pretty slick setup. The head also features a rather long, sliding base plate to help with balancing your setup. It also features pan arm rosettes on either side of the head, and includes a solid pan arm to attach. The 501HDV has separate drag controls for both pans and tilts. It can handle up to 13.2 lbs payloads, which should cover all but the most extreme HDDSLR setups. The 501HDV is quite heavy at 3.5 lbs however, it has the solid build that is required for smooth camera movements. I’ve found the 701HDV to be a little on the small side for DSLRs and feel that it is better suited for smaller camcorders (although it’s rated up to 9.5 lbs payloads). While you can find more basic heads, like the 701HDV, the 501HDV is a better starting point for HDDSLR video capture. And that’s what the 501HDV is – a good fluid head. If you want to pan and tilt while shooting video, you’ll need to pick up a good fluid head. While I love a ball head on my tripod when taking photos, it’s practically useless for everything but blocked off shots with video. One thing we’re learning though, is that good photo equipment doesn’t necessarily make good video equipment as well. I know my interest has been piqued since I picked up a 5D Mark II roughly a year and a half ago. As camera manufacturers add more and more DSLRs with HD video capture, photographers’ interest in video seems to be growing at an exponential rate. Integrated, retractable hook at the bottom of the center column to hang your camera bag for increased stability on uneven terrain or windy conditions.The Manfrotto 501HDV is a dedicated video fluid head.This lets you position the camera very close to the ground or provide a straight down view of your subject. The column can be reversed so the head can be positioned between the legs instead of on top.This helps reduce weight when needed but more importantly allows you to set the tripod to the lowest possible position off the ground. The column can be separated into two sections by simply unscrewing the bottom section.It takes less than 2 minutes to change and all tools and instructions are included with the tripod. The thread post is reversible so it can be set to 3/8” or ¼ 20” male threads allowing it to work with any type of head without the need for an adapter.The center column has 4 important features: This allows the legs to be set to one of 3 angles, varying the height, stance, and stability of the tripod. The legs Anti-Rotational System (ARS) is crafted into the leg locks and does not permit individual leg sections to rotate inside each other.Įach leg also has an independent leg-angle lock on the collar. The 8-layer carbon fiber legs have 4 sections that quickly deploy and lock using 3 twist locks that are easy to operate with or without gloves. It extends to a height of 62.6 inches and folds down to a compact 18.7 inches for travel. The SLIK PRO CF-634 weighs just 2 lbs., making it an easy backpacking companion.
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